Friday, May 21, 2010

Two unpublished poems on the anniversary of James Humphrey’s death

SNOW SNOW

Snow snow

where did you go

Norma & Jim

want to frolic in you

and watch

skeleton tree branches

become soft friendly arms

of winter love

JH, 6- 25/26-06

(2nd poem in 6 yrs)


CLIMB THESE STONES

OR CHISEL YOUR OWN

3 hours a day for eleven years

in different slaughter houses,

I scrubbed, sprayed blood off walls,

floors and scooped bones into buckets,

so I could spend precious hours

in public libraries throughout

the Midwest reading poetry and fiction

searching for my niche.

What I learned was to begin writing

with an empty head,

then let my instincts be my guide.

Stanzas and paragraphs hit me in a flash,

no matter the clock time

and had to be put on paper immediately,

otherwise they’re gone

as quickly as they came.

I began my 8-year apprenticeship

at actor Joel Grey’s suggestion.

At the crack of the New Year’s bell

in 1956, I felt I was ready for the

center ring!

Bones, NYC, published my first poem

A Modern Replacement

of the nine I held back.

My first collection of poems,

Argument for Love, hit the

bookstores in 1969.

Only a few poets, fiction writers

and playwrights are distinct individuals;

the rest are bland and neutral

personalities with little to say

and generally dull.

(Even an average poet gets lucky

And writes a few interesting stanzas.)

Talent dries up. Endurance doesn’t.

The few who make it an occupation

become more specialized

because their words don’t have

the plasticity of music,

painting or sculpture.

Great poets and fiction writers’

truths

come from deep inside their

emotions

subconscious

id

often opening themselves

to un-faced abuses:

complete exhaustion

we must write through daily.

Drilling with jack-hammers

is exhausting, but not what

the poet fiction writer playwright

endures.

It is external;

the other internal.

Our age does not—perhaps no age

Ever did—pay enough tribute and respect

to those masters of imagination.

The poet cannot make a living,

the novelist fares best as a

peeping tom,

and the playwright as a Simple Simon.

But the mere commentator, who

does little but rearrange the obvious,

is considered something of a marvel.

JH

6-27-06

(3rd poem in 6 yrs)